5/01/2013

Wonderful Worlds of Wizards Book 1 The Little Wizard Review

Wonderful Worlds of Wizards Book 1 The Little Wizard
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I read this delightful book to my fourth grade class. They loved it. They enjoyed the characters and the adventures of the characters. The adventures were easy for the students to relate to. We then embarked on some of Charlie's adventures on our own in class. We recreated the characters' journeys in our Language Arts classroom. The children were totally engaged and produced elaborate artwork and amazing short stories. This book is a gem. It is written so that the child can read it him/herself and it can enhance the learning activities in the classroom. My students are looking forward to Book Two!!


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Magic, Magic, Magic !!!One month of sales and already on the second print run.....children and adults love it!This book will help children of all ages develop their imagination and use their creative abilities. It is full of many hidden lessons about how to create reality and be responsible guardians of mother earth. An exciting adventure awaits you!Book OneThe Little Wizard This story will take you on many magical adventures as we follow Charlie, an ordinary boy, as he develops through experiences to become a Little Wizard. We will meet many unusual characters as we journey through the book with Charlie.

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4/30/2013

Cassell's Dictionary of Norse Myth & Legend (Cassell Reference) Review

Cassell's Dictionary of Norse Myth and Legend (Cassell Reference)
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I have been reading serious books about Norse mythology since the mid-1960s (I don't remember when I first encountered versions for children), and have studied the primary sources in translation, and, to a very limited (and amateurish) extent, in the original languages. This is exactly the sort of reference book / handbook I used to dream about, and which seemed to be available only as watered-down introductions for schoolchildren, or, if reasonably scholarly, in German. A recent example of the latter, by Rudolf Simek, has been translated by Angela Hall, as "Dictionary of Northern Mythology" (1993). The end of the twentieth century, has, in fact, seen several works of this sort, solidly based in scholarship, yet simple enough for those unfamiliar with the subject to enjoy. To my great pleasure, they are even being written in English.

This example is a re-set, mass-market edition of the 1997 "Cassell Dictionary...," which was published in both hardcover and trade paperback editions. The textual contents appear to be identical (I do not have a copy at hand to compare, so I am relying on memory), although, given the changes, it will be useful in the future to give references to Orchard by head-words, rather than page numbers. The original illustrations have been omitted; against this loss, the mass-market edition is in print.

The contents are extremely impressive. All of the major, and almost all of the minor, figures of Norse myth and legend from Scandinavian sources, together with other Germanic materials, and other relevant texts and archeological and other sources are catalogued and concisely described or defined. (The coverage of heroic legend is limited to the major figures, particularly those attested outside Scandinavia. Unfortunately, some of the more reliable and interesting correspondences to Migration-Age history, such as the names of the Niflung / Burgundian royal family, are slighted.)

There are cross-references to related articles - none, so far as I have noticed, leading in circles (as I have seen in too many reference works). Major critical issues are covered briefly and clearly, and with impressive objectivity (compare the discreet entry on "Beowulf," with due regard for the scholarly consensus, to the author's own views in his own 1995 book on the subject, "Pride and Prodigies...").

The difficult problem of transcribing Norse and Anglo-Saxon names, with their unfamiliar characters, has been solved by a few simple rules, clearly explained; exceptions are made for some very familiar forms, like Odin and Thor, where consistency would have called for accent marks. This will annoy purists, and perhaps those who have studied the relevant languages a little, but is far less intimidating to the uninitiated.

The articles are supplied with bibliographic references, in cryptic-looking letter-number combinations which direct the reader to numbered items in four separate bibliographies (references, primary sources, sources in translation, and studies). With something like 800 titles to deal with, this saves space, and avoids the problem of keeping track of whether or not an item appears in one or more places, and in full or short form. Although it looks confusing, I have found that the alphanumeric system makes it relatively easy to check the references. There is also an index of medieval passages and authors cited in the text.

An attractive feature is a set of appendices cataloguing such things as the names and titles of Odin, the names of Dwarfs, of Giants, and of "Troll-wives, Giantesses and Valkyries" (the last set showing so much overlap and confusion that grouping them together was probably the most practical solution). As in the articles, names are supplied with translations, if the meaning is reasonably clear.

Among recent works actually written in English, the most nearly comparable is John Lindow's "Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs." It differs in offering fewer, but longer, articles, with much more extended discussions of critical issues, literary problems, and rival interpretations. It omits some of the items of in the "Dictionary," but also covers some topics which Orchard only mentions. Lindow's bibliography seems much less comprehensive, but he includes essays on both the primary sources and the secondary literature (including how to evaluate on-line offerings). I have both, and would not give up either, but Orchard clearly offers the better bargain to a novice looking for a single reference source, covering more material, with a simpler-looking approach to each item.

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The Scandanavian imagination inspires our culture in hundreds of ways, from our words for days and months to customs common in most of our holidays to popular phenomena such as Harry Potter and the Tolkien legends. The entire cast of gods and trolls, heroes and monsters, lands and beliefs, receives a comprehensive survey in more than 1,000 entries, photos, charts, and quotations. Many entries draw upon recent archaeological discoveries which shed new light on ancient rituals and peoples, in many cases providing evidence that the even the most fanciful tales turn out to contain a core of factual history.

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4/29/2013

Darnia's Quest: A Spiritual Journey to Awaken Your Imagination Review

Darnia's Quest: A Spiritual Journey to Awaken Your Imagination
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Chuck Norris and Pat Boone, both very strong Christians have recently endorsed this book. Keep in mind that those who make statements that are anti-Christian of this book, here and on other sites, mean that the power of God is working and there are some who are scared. This work is simply an alternative to other books, and while it may not be for everyone, stands on it's own merit through not only its Christian publisher but it's endorsers as well. For first-time author, Don Alexander, it is a testimony to his faith that he wrote a book for older children and gave readers alternatives for childhood imaginations than what is out in the mainstream and popular.

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4/28/2013

Christian Response to Dungeons and Dragons Review

Christian Response to Dungeons and Dragons
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I am a Christian and I must say that this book does not deserve the title '"Christian" Response to Dungeons and Dragons'. Many of the facts are wrong and most of the arguments are deceptive or outright false. If you are planning to read this book, I recommend you get the Dungeons & Dragons Player's Handbook and/or Dungeon Master's Guide and compare them. Most (if not all) of the author's claims are wildly inaccurate.

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4/26/2013

Shadowline: The Art of Iain McCaig Review

Shadowline: The Art of Iain McCaig
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Iain McCaig has been in the art industry doing work for movie studios for a long time. In this book contains the work done for Star Wars prequel, Harry Potter and his concept art for other projects. Most of his work are belong to the fantasy genre.
In this book, a fictional interviewer called Bryon is created to introduce readers to the artwork and bring them into Iain McCaig's imaginative world. It's pretty amusing and reads like some fantasy adventure. My minor quibble would be that there isn't a biography of his illustrious career.
Insight Editions is the publisher of this thick and big book at 240 pages. It's hardcover with a beautiful matte dust jacket.
Inside are lots of glorious concept art, mainly to character designs. They are made up of paintings and sketches. Each is reproduced brilliantly on the glossy paper, showing intricate details of ink, pencil or colour strokes as well as the texture of the medium. The large pages enhance the viewing pleasure.
While there are some digital paintings, most of the illustrations featured are done using traditional medium, showing texture and grain.
This book is highly recommended to fans of Iain McCaig, fantasy artists, concept artists and character designers. It's very inspiring and overflows with creativity.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)

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"What is Shadowline? It is the place where things meet: light and shadows, hope and despair, good and evil. It is, to me, the most interesting place to hunt for stories." So begins this stunningly realized and beautifully rendered new work from master storyteller and artist Iain McCaig. McCaig is best known for his work as a principal designer on the three Star Wars prequels, including the iconic characters Queen Amidala and Darth Maul, as well as his work on many major motion pictures, television, and video games. His work can be seen in such acclaimed films as Terminator 2, Hook, Francis Ford Coppola's Dracula, Interview with a Vampire, and Harry Potter and the Goblet of Fire. Shadowline presents a stunning portfolio of more than two decades of McCaig's masterful concept designs and storyboards, cover art and illustrations, as well as his private sketchbooks and personal paintings, all woven together within the confines of an engrossing, otherworldly tale. "I've been telling stories for years, with paint, with words, with film and video cameras, and pixels on computer screens. I can't explain storytelling the way teachers explain math or history. To explain what I'm doing when I create would be like waking up while still dreaming. We are all storytellers night after night, for even the most inartistic of us can still dream like masters."-Iain McCaig"Iain McCaig's characters arrive on the page fully formed, their life stories expressed through every beautiful pencil stroke, from the lightest fairy tales to the darkest nightmares." -Doug Chiang, Academy Award-winning designer of Terminator 2, The Mask, Attack of the Clones, and The Phantom Menace

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4/25/2013

Quilting the Black-Eyed Pea: Poems and Not Quite Poems Review

Quilting the Black-Eyed Pea: Poems and Not Quite Poems
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Quilting The Black Eyed Pea by Nikki Giovanni is a gut wrenching and emotion jerking book of oh so fabulous poetry based on events from her heart and corresponding to major events that shook the lives of the nation called America.

Beginning with the Quilting the Black-Eyed Pea (We're Going To Mars), this poem is indeed one as I have never read in my life of literature. Nikki poetically finds similarities between the trip to Mars (that we yearn for) and the Middle Passage in the slave ship on it's way to a desitation unheard.
This poem reasons out the trip to Mars to be very important to us because of self denial, waiting for all our bad attributes to become lost somewhere else, so we journey off to leave our old selves back to try and find a new self.
Then all at once, we get to Mars and begin to kill the "Martians and the Martian Sympathizers". . ."As if the Fugitive Slave Law wasn't bad enough then". Sound familiar?
All of a sudden, the way that we are packed in the space ship is the same way the enslaved were whipped and chained in the slave ship. They survived though their survival own skills.

Thus, Nikki concludes with a smiling martian community watching us land on their terf while they simply continue to quilt a black-eyed pea.
This is remarkable. Focusing on Emmett Till, Susan Smith, Rosa Parks, and even President Bush and his response to the terrorists attacks and how it should have been! I must say. . . she makes much sense in her poetic vibe.

Her magnificent poems circle around love for animals and nature and any forms of life. . .especially human. Not to be self centered and consumed with everything that we forget everything. Learn to care and be compassionate. Nikki shares these feelings to us through saddness of past errors in the law, anger, sweetness and joy in her poetry.

If anyone is a poetry fan, Quilting the Black-Eyed Pea will grab you and take you off the ground. This books is wonderful because of the up front nature it contains while it speaks to you in a different light. It makes you feel and reflect.
Five Stars!
Mirika Cornelius
...

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