Showing posts with label stieg larsson. Show all posts
Showing posts with label stieg larsson. Show all posts

11/02/2012

The Girl Who Kicked the Hornet's Nest Review

The Girl Who Kicked the Hornet's Nest
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Just as Tolkein's "Lord of the Rings" is held up as the trilogy to which all fantasy trilogies are inevitably compared, I've little doubt that Larsson's Millenium series will play that benchmark role for mystery thrillers over the next few decades.
"The Girl Who Kicked the Hornets' Nest" is an incredibly worthy successor to the previous two books in the trilogy. And toward the end, there will be moments when tears are brought to your eyes. Larrson knew precisely how to play with timing, rhythm, and wording to pace the story and its ending just right. I'm hard pressed to even guess how else he could have ended this series.
The story follows the natural conclusion of the events in the first two books as everything dovetails toward a "behind-closed-door" trial. Larrson did a very good job of the first part of this book that takes place in the hospital where Lisbeth is recovering. I really enjoyed reading things from her perspective, then spinning out to others involved and each of their limited pieces of the evolving puzzle. And things just get better as the book moves along.
Frankly, once you hit part three of the book, it's almost impossible to put down. I picked it up just once...just to read a chapter or two in the second half of the book...only to find that three hours had gone by and the book was over.
Larrson's tying up of many loose ends throughout the book - and this is key - throughout the book (not all in the last few chapters like so many other writers) is masterful. And that emphasizes the one tragic aspect of this final book: knowing that we will never again be graced with Larrson's storytelling mastery.


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9/19/2012

The Girl with the Dragon Tattoo Review

The Girl with the Dragon Tattoo
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A 24-year-old computer hacker sporting an assortment of tattoos and body piercings and afflicted with Asperger Syndrome or something of the like has been under state guardianship in her native Sweden since she was thirteen. She supports herself by doing deep background investigations for Dragan Armansky, who, in turn, worries the anorexic-looking Lisbeth Salander is "the perfect victim for anyone who wished her ill." Salander may look fourteen and stubbornly shun social norms, but she possesses the inner strength of a determined survivor. She sees more than her word processor page in black and white and despises the users and abusers of this world. She won't hesitate to exact her own unique brand of retribution against small-potatoes bullies, sick predators, and corrupt magnates alike.
Financial journalist Carl Mikael Blomkvist has just been convicted of libeling a financier and is facing a fine and three months in jail. Blomkvist, after a Salander-completed background check, is summoned to a meeting with semi-retired industrialist Henrik Vanger whose far-flung but shrinking corporate empire is wholly family owned. Vanger has brooded for 36 years about the fate of his great niece, Harriet. Blomkvist is expected to live for a year on the island where many Vanger family members still reside and where Harriet was last seen. Under the cover story that he is writing a family history, Blomkvist is to investigate which family member might have done away with the teenager.
So, the stage is set. The reader easily guesses early that somehow Blomkvist and Salander will pool their talents to probe the Vanger mystery. However,Swede Stieg Larsson's The Girl with the Dragon Tattoo is no humdrum, formulaic whodunit. It is fascinating and very difficult to put down. Nor is it without some really suspenseful and chillingly ugly scenes....
The issue most saturating The Girl with the Dragon Tattoo is that of shocking sexual violence primarily against women but not excluding men. Salander and Blomkvist both confront prima facie evidence of such crimes. Larsson's other major constituent elements are corporate malfeasance that threatens complete collapse of stock markets and anarchistic distrust of officialdom to the point of endorsing (at least, almost) vigilantism. He also deals with racism as he spins a complex web from strands of real and imagined history concerning mid-twentieth century Vanger affiliations with Sweden's fascist groups.
But Larsson's carefully calibrated tale is more than a grisly, cynical world view of his country and the modern world at large. At its core, it is an fascinating character study of a young woman who easily masters computer code but for whom human interaction is almost always more trouble than it is worth, of an investigative reporter who chooses a path of less resistance than Salander but whose humanity reaches out to many including her, and of peripheral characters -- such as Armansky -- who need more of their story told.
Fortunately, The Girl with the Dragon Tattoo in English translation will be followed by two more in the Millennium series: The Girl Who Played with Fire, and The Air Castle that Blew Up. I can't wait. Larsson also made a 200-page start on a fourth book, but sadly he succumbed to a heart attack in 2004 and his father decided the unfinished work will remain unpublished.
I recommend this international bestseller to all who eagerly sift new books for challenging intellectual crime thrillers, who luxuriate in immersing themselves in the ambience of a compellingly created world and memorable characters, who soak up financial and investigative minutiae as well as computer hacking tidbits, and who want to share Larsson's crusade against violence and racism.

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